FLUTE

– PUBLISHED by Theodore Presser Company (414-41199).
– WINNER, National Flute Association's Newly Published Music competition 2010.
– CONTENTS:
Two-part Invention No. 1 
Two-part Invention No. 2 
Two-part Invention No. 3 
Two-part Invention No. 4 
Two-part Invention No. 6 
Two-part Invention No. 8 
Two-part Invention No. 9 
Two-part Invention No. 14 
Aria from The Goldberg Variations 
Prelude No. 13 from The Well-Tempered Clavier, Book I 
"Wachet Auf," Chorale Prelude from Cantata No. 140 
Air from Orchestral Suite No. 3

– PUBLISHED by Theodore Presser Company (414-41203).
– CONTENTS:
Overture to The Magic Flute
"Voi, che sapete" from The Marriage of Figaro
Adagio from Concerto for Clarinet and Orchestra
"Non più andrai" from The Marriage of Figaro
"Alleluia" from Exsultate, Jubilate
"Bei Männern, welche Liebe" from The Magic Flute
Twelve Variations on "Ah! Vous dirai-je, Maman"

– PUBLISHED by Theodore Presser Company (414-41207) coming in 2012!
– Edited and annotated by Cindy Anne Broz.
– CONTENTS:
"Oh! Mio Babbino Caro" from Gianni Schicchi 
Musetta’s Waltz from La Bohème 
"Un Bel Di" from Madama Butterfly 
Butterfly’s Entrance from Madama Butterfly 
"Donna Non Vidi Mai" from Manon Lescaut 
"Vissi d’Arte" from Tosca 
"Ave Maria" from Suor Angelica 
Flower Duet from Madama Butterfly

– PUBLISHED by Sorom Editions  

– Flute part adapted by Denis Bouriakov, piano reduction by Daniel Dorff.
– PUBLISHED by Theodore Presser Company (114-41433).

Denis Bouriakov with Daniel Dorff 
after performing Dorff's Goldilocks and the Three Bears

– Flute part adapted by Sir James Galway, piano reduction by Daniel Dorff.
– PUBLISHED by Theodore Presser Company (114-41233).

James Galway with Daniel Dorff
at 2009 NFA convention

Morning Has Broken (Gaelic Hymn) for Flute and Harp 

– PUBLISHED by Theodore Presser Company (114-41240).

– PUBLISHED by Theodore Presser Company (114-40523).

– PUBLISHED by Theodore Presser Company (114-40928).

– PUBLISHED by Theodore Presser Company (114-40927).

– PUBLISHED by Theodore Presser Company (114-40825).

– PUBLISHED by Theodore Presser Company (114-40455).

– PUBLISHED by Theodore Presser Company (114-41286).
– RECORDED on Azica Records by Pam Youngblood and Gabriel Bita (audio clips available on many online stores).
– Texas UIL Prescribed Music List for all-state audition repertoire.
– REVIEW: "The arrangement is quite faithful to the Ives score, and Dorff expertly altered the articulations in Variations 1 and 3 to more closely resemble the sound that would have been created by the organ. The addition of these slurs improves the fluidity of the melodic line and assists the retention of smooth phrases that are closer to the original intention of Ives when he composed the work in 1891.
When teaching this piece, several key musical elements can be highlighted:
1. The student can be introduced to a genre of music that may be new for them via this arrangement of a standard work.
2. The student can become aware of the theme and variation technique in composition.
3. The student can experience changes in tonality with a firm footing in a well-known melody.
4. The student can experience meter changes as well as rhythmic alterations to the original melody.
5. The student can become aware of the compositional tools used by Ives as well as their relevance to music history and literature.
The piece is appropriate as a teaching piece with students at the upper-intermediate level and as a performance piece for students who are advanced.
                                — American Music Teacher, June-July 2007, Alice M. Hammel  
– HONORABLE MENTION, 2008 NFA Newly Published awards.

– PUBLISHED by Theodore Presser Company (114-40838).

OBOE

– PUBLISHED by Theodore Presser Company (114-40889).

– PUBLISHED by Theodore Presser Company (414-41203).
– CONTENTS:
Overture to The Magic Flute
"Voi, che sapete" from The Marriage of Figaro
Adagio from Concerto for Clarinet and Orchestra
"Non più andrai" from The Marriage of Figaro
"Alleluia" from Exsultate, Jubilate
"Bei Männern, welche Liebe" from The Magic Flute
Twelve Variations on "Ah! Vous dirai-je, Maman"

– PUBLISHED by Theodore Presser Company (414-41207) coming in 2012!
– Edited and annotated by Cindy Anne Broz.
– CONTENTS:
"Oh! Mio Babbino Caro" from Gianni Schicchi 
Musetta’s Waltz from La Bohème 
"Un Bel Di" from Madama Butterfly 
Butterfly’s Entrance from Madama Butterfly 
"Donna Non Vidi Mai" from Manon Lescaut 
"Vissi d’Arte" from Tosca 
"Ave Maria" from Suor Angelica 
Flower Duet from Madama Butterfly

– PUBLISHED by Kendor Music.
– REVIEW: “A fine transcription for teaching baroque style, independence of parts, and expressivity.”    — The Instrumentalist, May 1992.

– PUBLISHED by Kendor Music.
– REVIEW: “This setting provides an excellent contest selection.” 
                  — The Instrumentalist March 1993.

– PUBLISHED by Kendor Music.

– PUBLISHED by Kendor Music.
– REVIEW:  “We recommend you buy and use [this publication].” 
                           — BD Guide, January 1993.

– PUBLISHED by Kendor Music.

– PUBLISHED by Kendor Music.

– PUBLISHED by Kendor Music.

– PUBLISHED by Kendor Music.

– PUBLISHED by Theodore Presser Company (114-41242).

– PUBLISHED by Theodore Presser Company (114-40847).

– PUBLISHED by Theodore Presser Company  (114-40824).

– PUBLISHED by Theodore Presser Company  (114-40769).

– PUBLISHED by Theodore Presser Company (114-40455).

– PUBLISHED by Kendor Music
– REVIEWS: 
“... a lively contest or recital piece... ideal for high school players.” 
                 — The Instrumentalist, October 1992.
"We recommend you buy and use [this publication]." 
                 — BD Guide, January 1993.

– PUBLISHED by Kendor Music.

Three Preludes from Op. 28 (Chopin) arranged for Clarinet Quartet (3 Bbs & Bass)

– PUBLISHED by Kendor Music.
– REVIEWS:
“This arrangement... is excellent; a fine, musical contest work for high school clarinet ensembles.” — The Instrumentalist, May 1992.
“We recommend you buy and use [this publication].” — BD Guide, January 1993.

– PUBLISHED by Kendor Music
– REVIEW: “Great material for solo and ensemble festival.” — The Instrumentalist, May 1992.

BASSOON

– PUBLISHED by Theodore Presser Company (114-40918).

– PUBLISHED by Theodore Presser Company (114-40455).

WIND QUINTET

– PUBLISHED by Theodore Presser Company (114-40406).

SAXOPHONE

– PUBLISHED by Theodore Presser Company (114-41241).
– REVIEW: "Very useful and well done... playable by younger students and make excellent phrasing and intonation exercises."
      — Susan Fancher, Saxophone Journal, September/October 2007 

– PUBLISHED by Theodore Presser Company (114-40917).
– REVIEW: "Very useful and well done... playable by younger students and make excellent phrasing and intonation exercises."
      — Susan Fancher, Saxophone Journal, September/October 2007 

– PUBLISHED by Theodore Presser Company (114-40647).
– REVIEW: "Very useful and well done... playable by younger students and make excellent phrasing and intonation exercises."
      — Susan Fancher, Saxophone Journal, September/October 2007 

– PUBLISHED by Theodore Presser Company (114-41221).
– REVIEW: "Very useful and well done... These arrangements should be in the repertoire of any quartet that plays performances in churches, especially weddings. Of course, the music is also simply lovely. These arrangements are playable by younger students and make excellent phrasing and intonation exercises."
      -- Susan Fancher, Saxophone Journal, September/October 2007 

– PUBLISHED by Theodore Presser Company (114-41243).

– PUBLISHED by Theodore Presser Company (114-40649).
– REVIEWS: 
“The very best music ... of lasting value we recommend you buy, add to your library, and use as much as you can.”    
                                  — BD Guide (Willwerth), January 1994.
“Great for junior high students, ... professionals will also find it a useful program piece.” 
                                  — ITG Journal (Aleshevich), February 1994.

– PUBLISHED by Theodore Presser Company (114-41161).

– PUBLISHED by Theodore Presser Company (114-40660).
– REVIEW: “Mr. Dorff's treatment of this composition is well done. The piano accompaniment and solo part blend well together. If an organist is available, try it with pipe organ. It works out great with that combination. I really like the fact that the piano accompaniment is transparent and not too busy.... Mr. Dorff did a good job in preserving the actual canon. The Canon would be a great study in phrasing and tone control, and if you were looking for music to play for a church service this would be a sure-fire selection. Mr. Dorff included good phrase and dynamic markings that help the performer. I think this arrangement will be enjoyable to performer and listener alike.” — T.U.B.A. Journal (Madeson), Fall 1993.

– PUBLISHED by Theodore Presser Company (114-40826).

– PUBLISHED by Theodore Presser Company (114-40890).

– PUBLISHED by Theodore Presser Company (114-41305).
– Trumpet part edited by David Bilger.

MIXED ENSEMBLE

– COMMISSIONED by Minnesota Orchestra Volunteer Association for 48 Kinder Konzerts during the 2000-01 season.
– PUBLISHED by Theodore Presser Company (114-41101).

– COMMISSIONED by Philadelphia Orchestra education department for "Next Step" concert series.
– Not yet published.

– PUBLISHED by Theodore Presser Company (114-41231).

– PUBLISHED by Theodore Presser Company (114-41230).

STRINGS

– PUBLISHED by Theodore Presser Company (144-40314).

– PUBLISHED by Theodore Presser Company (113-41331).

– PUBLISHED by Theodore Presser Company (114-41330).

– PREMIERED by Diane Monroe and Florence Ierardi, August 6, 1993, Cape May, NJ.
– Not yet published.

– PUBLISHED by Theodore Presser Company (114-41244).

– PUBLISHED by Theodore Presser Company (114-40779).

– PUBLISHED by Theodore Presser Company (114-40723).
– REVIEWS:
“... very well presented by Daniel Dorff. It is an ideal performing piece as well as a fine teaching vehicle. The piano accompaniment is easily manageable by a third grade pianist.” 
                               — Carmel Violins, (Kline) 1994.
“This is a simple and effective arrangement of the Canon mainly using 1st position and occasionally 2nd to 4th positions, with modest bowing requirements and no fingering. The edition is nicely presented and should be useful additional material, popular to performer and listener alike.” 
                              — E.S.T.A., Spring 1995
“not too difficult, and with the canon incorporated into the accompaniment, gives scope for developing tone, different bowings, and style that a Grade 4 pupil would greatly appreciate.”
                              — Music Teacher (UK), July 1995.

– PUBLISHED by Theodore Presser Company (114-40926).
– REVIEW: "If the violist plays in tune, this is the sort of piece that may aid digestion at a June wedding."     — Robert Max, Music Teacher (UK), July 1999

– PUBLISHED by Theodore Presser Company (114-40757).

– PUBLISHED by Theodore Presser Company (114-40648).

– PUBLISHED by Theodore Presser Company (114-40868)

– PUBLISHED by Theodore Presser Company (114-41054)

– PUBLISHED by Theodore Presser Company (114-41353).
– Violin part edited by Diane Monroe.

– PUBLISHED by Theodore Presser Company (114-40867).

GUITAR

– PUBLISHED by Theodore Presser Company (114-40928).

PIANO

– PUBLISHED by Theodore Presser Company (440-40015).

– PUBLISHED by Leadchoice Ltd. (distributed by Presser).

Selected and edited, with biography.
– PUBLISHED by Theodore Presser Company (410-41271). 
– REVIEWS:
“Highly recommended.” — Enoch Fraser Newsletter (England), January 1988.
“The selection is excellent... ” — South African Music Teacher, June 1988.
“There is much of value here.” — Clavier, January 1990.

HARP

The Seasons, January-May (Tchaikowsky), arranged for Two Harps

Morning Has Broken (Gaelic Hymn) for Flute and Harp 

– PUBLISHED by Theodore Presser Company (312-41700).

– PUBLISHED by Theodore Presser Company (312-41711).

– PUBLISHED by Theodore Presser Company (312-41489).
– REVIEW: “An excellent edition of this extraordinary work” 
                                — Choral Journal (Brown), December 1987.

– PUBLISHED by Theodore Presser Company (312-41575).

– PUBLISHED by Theodore Presser Company (312-41492).

PERCUSSION

– PREMIERED by Diane Monroe and Florence Ierardi, August 6, 1993, Cape May, NJ.
– Not yet published.

– PUBLISHED by Theodore Presser Company (114-41299).

– Edited and restored manuscript to create this march's first publication.
– PREMIERED by the U.S. Marine Band, Baltimore & Washington D.C., April 6 & 7, 1988.

– RECORDED by the Allentown Band, on the AMP label.
– RECORDED by the Takaoka (Japan) Commercial High School Band, on the Mark label.
– REVIEWS:
“Sousa fans will be absolutely delighted with this most welcome addition to their collection.” 
                                — Winds, Spring 1989.
“Daniel Dorff is to be commended for his dedication to the arduous task of faithfully reconstructing this long lost Sousa march.” 
                                — The Louisiana Musician, May 1989.
“...it works well. Sousa aficionados will no doubt enjoy this one.”
                                — BD Guide (Williamson), September 1988.
“All that you've read recently about this one is true. It's a great march.” 
                                — Pennsylvania Music Educators News, November 1988.
“What a delightful find...! Dorff has done an outstanding job... you will appreciate the full score and fine editing work of Mr. Dorff.”
                               — North Dakota Music Educator, December 1989.
– PUBLISHED by Theodore Presser Company (115-40190).

– RECORDED by Keith Brion conducting the Royal Artillery Band on Naxos/Marco Polo.
– PUBLISHED by Theodore Presser Company (115-40194).
– REVIEWS:
“I’m grateful for the skillful care you have taken with Power and Glory and for your wish to maintain the original intent.”
                        — Keith Brion (Sousa scholar and conductor)
“... this one being of particular interest. Quite distinctive. You'll really like this one!”
                        — BDGuide, September-October 1994.
“Daniel Dorff... has tastefully conformed to modern band scoring.... Daniel Dorff does encourage you to be creative in concert presentation of a march just as Sousa usually was.” 
                        — The Louisiana Musician, May 1994.

Orchestration created for Lisa Loeb’s performances.

Orchestration created for Lisa Loeb’s performances.